Commission Seeks Comment on Emergency Communications by ...

WASHINGTON, April 2 ? The Federal Communications Commission?s Wireless Telecommunications Bureau issued the following document:

By this Public Notice, the Federal Communications Commission?s (FCC or Commission) Wireless Telecommunications Bureau and Public Safety and Homeland Security Bureau seek comment on the uses and capabilities of Amateur Radio Service communications in emergencies and disaster relief. As set forth below, comment is sought on issues relating to the importance of emergency Amateur Radio Service communications and on impediments to enhanced Amateur Radio Service communications. Stakeholder entities and organizations, including the Amateur Radio, emergency response, and disaster communications communities, are particularly encouraged to submit comments.

BACKGROUND

The amateur radio service is available for persons who are interested in radio communications techniques solely with a personal aim and without pecuniary interest. It presents an opportunity for individuals to self-train, communicate with other amateur radio licensees, and carry out technical investigations. The amateur service rules are designed to allow, among other things, stations in this service to make transmissions necessary to meet essential communication needs and to facilitate relief actions. Amateur radio operators have been useful in recent years in augmenting essential communication services and providing communication links when normal communication systems are overloaded or not available. For example, amateur radio operators provided storm observations and damage reports to the National Weather Service when winds and tornadoes moved through Arkansas and Alabama in January 2012, and provided communications to villages along the Bering Sea when a November 2011 severe winter storm knocked out power lines and communications.1

Public Law 112-96, the Middle Class Tax Relief and Job Creation Act of 2012, requires the Commission, in consultation with the Office of Emergency Communications in the Department of Homeland Security, to complete a study on the uses and capabilities of Amateur Radio Service communications in emergencies and disaster relief; and submit to the Committee on Energy and Commerce of the House of Representatives and the Committee on Commerce, Science, and Transportation of the Senate a report on the findings of such study.2

*Omitted footnotes & Rest of the document can be viewed at http://hraunfoss.fcc.gov/edocs_public/attachmatch/DA-12-523A1.pdf

Copyright ? 2012 LexisNexis, a division of Reed Elsevier Inc. All Rights Reserved.

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Amazon's Bezos finds Apollo 11 rocket engines in ocean, contemplates shipping options

Ya' know, there's nothing like a little rocket engine hunting to save oneself from the doldrums of generating billions of dollars in revenue in the private sector. At least that appears to be the case for Amazon founder and CEO Jeff Bezos, who spearheaded an ocean expedition to find the F-1 engines used in the Apollo 11 mission. Forget newer stuff like the GENIE, Vega and Slytherin's SuperDraco -- the classic F-1 is still the rocket engine that ignites Bezos' proverbial liquid fuel. Having found his prize resting 14,000 feet below the surface via deep sea sonar, Bezos' team is now trying to recover at least one of the engines. Bezos says NASA still retains ownership of the F-1s but he's hoping the agency will allow one of them to be displayed at the Museum of Flight in Amazon's home turf of Seattle if both are successfully retrieved. No word on whether the rocket engines will be delivered via Super Saver Shipping.

Amazon's Bezos finds Apollo 11 rocket engines in ocean, contemplates shipping options originally appeared on Engadget on Thu, 29 Mar 2012 01:36:00 EDT. Please see our terms for use of feeds.

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Source: http://www.engadget.com/2012/03/29/amazons-bezos-finds-apollo-11-f1-rockets-in-ocean/

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Getting the Right Bandwidth For Your Video Conferencing ...

Video conferencing assuredly encompasses a range of technologies used in a wide range of situations, often it is not just video and audio that is transmitted, but also data, allowing collaborative working though shared applications. All of this means having adequate bandwidth supporting your network is the indispensable operation factor.

Video conferencing may be?

* One-to-one meetings, also known as point to point communications, normally spicy full two-way audio and video.

* One-to-many spicy full audio and video broadcast from the main site, where other sites may be able to send audio. For example in a lecture situation, students could ask questions.

* Many-to-many, known as multi-point communication, provides audio and video in the middle of more than two sites. With most multi-point systems only one site in a discussion can be seen at time, with switching in the middle of sites whether controlled manually or voice activated (i.e., the loudest site is on screen).

Physically, the most coarse scenarios of video conferencing are:

* desktop video conferencing ? normally a small camera is located on top of the Pc or workstation monitor. The actual video is normally displayed in a small window, and shared applications, such as a shared whiteboard are often used.

* studio-based systems ? a studio is specially adequate for video conferencing. This will normally contain one or more cameras, microphones, one or more large monitors, and perhaps other tool such as an overhead camera for document viewing. normally used for more formal meetings

In custom a ?studio? may not be a dedicated room, but a standard discussion room with portable tool that can be set up when required.

Bandwidth and Compression?

The bandwidth, or baud rate, is the whole of facts which can be transmitted every second. The higher the bandwidth, the better quality the signal that can be transmitted. For a video discussion audio and video signals must be transmitted in real time, i.e., a lot of facts has to be sent every second, requiring a very high bandwidth. For example a ?true colour? image will need 24 bits (3 bytes) per pixel. A full screen image might be 640?480 pixels, over 7 million bits. For full petition video, the image is refreshed 25 times per second. This adds to over 184 million bits per second. It is not realistically possible to transmit this whole of information, and your Pc assuredly could not receive it at this rate. Therefore for digital video some form of compression is required. The type and degree of compression used varies from system to system. It is spicy to note that for most uses, we are more tolerant of poor video than poor audio, and so some systems merge on providing consistently good audio.

How To Get The Right Bandwidth To Meet Your Needs?

Don?t take a chance at guessing what bandwidth you?ll need?or in choosing the victualer for that bandwidth. You may need a fractional, full, integrated, or bonded T1, Ds3, or Oc3 network depending on many factors. Solutions offered by providers will vary by cost, quality of assistance (QoS), and assistance Level agreement (Sla). I strongly propose you use the services of an independent Telecommunications counselor to help you assess your needs and find the victualer who best meets your requirements. For unbiased free advice?.as well as real time rate quotes from multiple providers, indepth research, and negotiations with providers on your behalf?.I propose you use FreedomFire Communications.

Getting the Right Bandwidth For Your Video Conferencing Applications

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Source: http://blphotovideo.com/getting-the-right-bandwidth-for-your-video-conferencing-applications/

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Testone, Ledet take on Zeppelin, Mariah on 'Idol'

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Source: http://news.yahoo.com/testone-ledet-zeppelin-mariah-idol-024015664.html

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Spike Lee, latest celeb to practice reckless tweeting

Featured

9 hrs.

Suzanne Choney

The smartphone juggernaut continues?in the U.S. According to a new Nielsen report,?49.7 percent of mobile subscribers owned smartphones as ... Read more

1 day

Helen A.S. Popkin

Spike Lee wasn't the first to retweet the erroneous address on Twitter blindly accepted by many as that of George Zimmerman, the man who fatally shot 17-year-old Trayvon Martin last month. But the filmmaker's message -- sent last week to his 240,000 Twitter followers -- was the most viral.

Elaine McClain, 70, the owner of the misidentified house in Sanford, Florida, and her husband David McClain, 72, tell news outlets they're now "living in fear." The address spread on Twitter, accompanied by threats of violence, and the couple are now staying at a hotel "to avoid the spotlight and possible danger," reports the Orlando Sentinel.

Oh, and Mrs. McClain? She reportedly has a heart condition. Awesome.

So how did this happen? As The Smoking Gun breaks it down, Marcus Davonne Higgins, the 33-year-old Los Angeles man behind the bad address, confused McClain's son, George W. Zimmerman, who once lived at the address, with George Michael Zimmerman, the man who killed Martin. Higgins then blasted the address to the Twitter accounts of Will Smith, 50 Cent, LeBron James, as well as to Lee. But Lee is the only one who retweeted it.

The great big "WRONG!" here isn't the bad address, or whether Lee should research the info before he retweets. And as regrettable as it is, Lee can't be held accountable for giving conservative pundit Michelle Malkin more fuel for Trayvon Martin race baiting on her Twitter "news" site Twitchy. It's this: Celebrities have no business using their position of power and popularity on Twitter to incite a mob.

We decry it when members of 4chan's /b/board broadcast the phone number, address and other identifying info about young girls suddenly popular on the Internet. Here in the West, we're horrified by stories of China's Internet mob, "mobilized to root out, expose and shame people they perceive to be exhibiting corrupt or immoral behavior," sometimes resulting in real-world violence. It's equally not OK for U.S. celebrities to do the same.?

We saw this to a lesser degree last week when Alec Baldwin mustered a Twitter army against someone he claimed was harassing his girlfriend on the Internet. When a celebrity directs his fanatic legion against a person outside a position of power, that's straight-up bullying.

Posting on Twitter, Baldwin gave out the handle of the alleged?harasser, @scarfacemadam, whom he said "has entered the twitter-verse ONLY to harass my girlfriend" in a way "that is borderline threatening." He asked users to "go to her address and read just a few of her posts, and give her your notice of her behavior."

While many of the Twitter attacks against?@scarfacemadam didn't?compare to the jillions of ugly death threats tweeted by Justin Bieber fans on any given day, they weren't pretty. As we noted then,?if the troll harassing his GF really is as bad as he claimed, then it's way to fuel a psycho stalker, Alec Baldwin! Conversely, if the troll was just your run-of-the-mill Internet jerk (with or without diagnosable mental issues), then Baldwin just sent thousands of people in that troll's direction.?

As it turned out, the kerfuffle faded fast soon after the @scarfacemadam account went dormant. It could've been worse. It wasn't.

In Lee's case however, helping chum Twitter could've resulted in violence -- against an innocent elderly couple or a man yet to face the justice system -? as well as a jail sentence for any Lee fans who took his retweet to heart. ?

Update at 8:30 a.m. ET Thursday:?In a?tweet late Wednesday, Lee apologized to the McClain family.

Helen A.S. Popkin goes blah blah blah about the Internet. Tell her to get a real job?on?Twitter?and/or?Facebook. Also,?Google+.

Source: http://www.technolog.msnbc.msn.com/technology/technolog/spike-lee-latest-celeb-practice-irresponsible-tweeting-581670

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A Battle Royale online over origin of 'The Hunger Games'

Some claim that 'The Hunger Games' is a rip-off of the 1999 Japanese series 'Battle Royale.' But the storyline of a death match being employed by authoritarian rulers dates back to the Roman Empire.

It's not unusual that "The Hunger Games" movie's arrival in theaters has been accompanied by feverish anticipation on the Internet. The online world is easily and often set ablaze by enthusiastic fandom, and Susanne Collins' wildly popular series of novels about a dystopian future where teenagers fight to the death on television has sold millions of copies.

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But it's not just fandom that's fueling "The Hunger Games" online fire. It's also being fed by controversy: specifically, whether Ms. Collins' series is a "rip-off" of Japanese novel "Battle Royale."

Certainly, the debate online is energetic. A quick Google search of "hunger games battle royale" turns up half a million results with headlines like "Why the 'The Hunger Games's Snub of 'Battle Royale' Matters," "5 Reasons The Hunger Games Isn't Battle Royale," and "Who Would Win in a Fight?: Battle Royale vs. The Hunger Games." YouTubers debate the similarities and differences among clips and trailers of the originals.?

A description of Koushun Takami?s book, published in 1999, makes those similarities clear. In a near-future dystopia, a despotic government selects teenagers by lottery to participate in the titular competition, in which the youths are thrown into the wilderness with a variety of weapons in order to participate in a televised death match. There are also commercial similarities: Battle Royale, too, made a successful jump to the big screen in a 2000 cult-classic release directed by Kinji Fukasaku. (Quentin Tarantino called it his "favorite movie of the last 20 years.")

But proponents of "The Hunger Games" being its own work have plausible arguments too. They note that?"The Hunger Games" is at its heart a science-fiction story set long after a global war, whereas "Battle Royale" is more of a near-future, modern-world thriller. They also argue that "Games" is about broader revolutionary themes, while "Battle" is focused on simple, visceral survival. And of course, the violent, bloody "Battle" is not the young adult novel that "Games"?is.

Despite their fans' passion over the heritage of "Games," neither author appears interested in fueling the debate. Collins told The New York Times that she only learned of Battle Royale after she submitted her first book to her publisher. ?I had never heard of that book or that author until my book was turned in. At that point, it was mentioned to me, and I asked my editor if I should read it. He said: ?No, I don?t want that world in your head. Just continue with what you?re doing.? ?? And Takami told ABC News that he was amused by the debate, though he appreciated his fans' enthusiasm.

All in all, it seems to be another case of there being nothing new under the sun. After all, both novels and movies were predated by Stephen King's novella-turned-blockbuster "The Running Man," which was about ? surprise, surprise ? a reality-television death match run by a totalitarian government in a dystopian future. All three stories drew from books like George Orwell's "1984" and William Golding's "Lord of the Flies." And if one follows the trail back long enough, you eventually reach the Roman circuses, which were ? you guessed it ? real death matches employed by absolute rulers to keep the population in line.

And so long as their readers enjoy their stories, the authors are not concerned. "I think every novel has something to offer," says Takami. "If readers find value in either book, that?s all an author can ask for."

Source: http://rss.csmonitor.com/~r/csmonitor/globalnews/~3/Z-znlBAWQww/A-Battle-Royale-online-over-origin-of-The-Hunger-Games

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The famed sisters of ?Wonderful Town? (Powerlineblog)

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